There Will Be An Unrated Version Of Brad Pitt’s Zombie Thriller ‘World War Z’


brad-pitt-blood-world-war-z-2 unrated

Paramount Pictures

If you weren’t pleased with the lack of blood and gore in Brad Pitt’s PG-13 rated zombie film “World War Z,” there’s good news.

Paramount is releasing an unrated version of the film.

The much-troubled film tossed out its  original 12-minute ending  for an  expensive reshoot of the final 40 minutes.

Despite that, the film ended up doing well at theaters earning $474 million worldwide.

It’s unclear whether the original ending — or more blood — will make an appearance in the special edition; however, a featurette called “Camouflage” about the film’s production and final scenes with Pitt make us hopeful.

Below are the features of the unrated version via Entertainment Weekly.

“World War Z” hits stores September 17.


The filmmakers discuss collaborating with renowned actor/producer Brad Pitt to create a zombie film the likes of which have never been seen.

Looking to Science

Explore the scientific realities of zombie behavior in nature and learn more about zombies in literature and film.


Go on set with Brad Pitt and director Marc Forster for a behind-the-scenes look at the film’s breathtaking first attack in Philadelphia.

The Journey Begins

Delve deeper into Gerry’s fight for survival during the dramatic escape in South Korea.

Behind the Wall

Explore the epic scene in Jerusalem and discover the incredible logistics of creating the elaborate stunts and crowd sequences.


Experience the final confrontation between Gerry and the zombies and discover the phenomenal scope of the film’s production.

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The Age of Stupid ( Full Movie )

The year is 2055. The Earth is devastated. One man (Oscar® nominee Pete Postlethwaite, The Usual Suspects, Clash of the Titans) remains in “The Global Archive,” a vast storage facility protecting all of humanity’s collective achievements.

Based on mainstream scientific projections from the present day, THE AGE OF STUPID focuses on the archivist as he tries to work out why we didn’t save ourselves while we still had the chance. He flips through a startling array of news clips, interviews and scientific reports from our current time, each its own warning sign of the destruction that is looming if we don’t change our current consumption practices.

From the director of McLibel and the producer of the Academy Award®-winning One Day in September, the fresh, fast-paced and often hilarious THE AGE OF STUPID continues to break all the rules of independent film distribution—including smashing the world record for the largest live film event when its global premiere reached over a million viewers in 63 countries.

Roger Ebert Dies at 70 Following Battle with Cancer

roger ebert dies death

Originally posted by:

By Meriah Doty | Movie Talk


Famed movie critic Roger Ebert died Thursday in Chicago after battling cancer. He was 70.

An opinionated writer, but also a movie fan, Ebert reviewed films for the Chicago Sun-Times for 46 years. He was perhaps best known, however, for his 31 years reviewing films on television.

Ebert experienced health problems over the past ten years, suffering illnesses including thyroid cancer and cancer of the salivary gland. In 2006 he lost part of his lower jaw, but — as his obituary in the Sun-Times points out — it didn’t drive him out of the spotlight.

President Obama, also from Chicago, released a statement on Ebert’s passing:

Michelle and I are saddened to hear about the passing of Roger Ebert. For a generation of Americans – and especially Chicagoans – Roger was the movies. When he didn’t like a film, he was honest; when he did, he was effusive – capturing the unique power of the movies to take us somewhere magical. Even amidst his own battles with cancer, Roger was as productive as he was resilient – continuing to share his passion and perspective with the world. The movies won’t be the same without Roger, and our thoughts and prayers are with Chaz and the rest of the Ebert family.

Many may not know, but Ebert was an early investor in Google and believed in the power of the Internet to share his messages — especially through his site on

The acclaimed writer enjoyed wide and varied accolades, winning a Pulitzer Prize in 1975 and was added to the Hollywood Walk of Fame in 2005. He also won a Webby “Person of the Year” award in 2010 for special achievement.

Fresh off the heels of his Pulitzer, Ebert launched his television show — along with Gene Siskel (who died in 1999) — the same year he was honored with the esteemed writing award. It started as a local Chicago show, but its popularity eventually pushed it into the national spotlight, making the duo’s famed “thumbs up, thumbs down” a household gesture.

Ebert graduated from the University of Illinois in 1964, where he wrote and edited for student publications. He studied in South Africa on a Rotary Scholarship after graduating and later went on to the University of Chicago with the plan of earning his doctorate in English. As a student, Ebert also expressed interest in working at the Sun-Times and by April 1967, he was asked to become the paper’s film critic when the previous critic, Eleanor Keen, retired.

He was savvy from the start, calling 1967’s “Bonnie and Clyde” with Warren Beatty and Faye Dunaway “a milestone” and “a landmark.” “Years from now it is quite possible that ‘Bonnie and Clyde’ will be seen as the definitive film of the 1960s,” he wrote in his review.

Aside from his early eye on Google, Ebert also broke character when he wrote the campy 1970 film “Beyond the Valley of the Dolls” for sexploitation director Russ Meyer. Ebert’s newspaper editor of the time, James Hoge, made him choose between making films and reviewing them. He chose the latter.

Ebert is survived by his wife Chaz Hammelsmith, step-daughter, and two step-grandchildren.

Stanley Kubrick’s Jazz Photography and The Film He Almost Made About Jazz Under Nazi Rule

Originally posted by:

by Josh Jones –

kubrick showgirl

Stanley Kubrick (looking like a creepy Rowan Atkinson above) came of age as a chess-hustling photographer in the jazz-saturated New York City of the 1940s. He began taking pictures at the age of thirteen, when his father bought him a Graflex camera. During his teenage years, Kubrick flirted with a career as a jazz drummer but abandoned the pursuit, instead joining Look Magazine as its youngest staff photographer right out of high school in 1945. His regard for jazz music and culture did not abate, however, as you can see from photographs like Jazz Nights below.


Kubrick worked for Look until 1950 (when he left to begin making films); he captured a wide variety of New York scenes, but often returned to jazz clubs and showgirls, two favorite subjects. I’ve often wondered why Kubrick’s hometown plays so small a role in his films. Unlike also NYC-bred Martin Scorsese, Kubrick seemed eager to get as far away as he could from the city of his youth, but the filmmaker’s love of forties-era jazz never left him. According to longtime assistant, Tony Frewin, “Stanley was a great swing-era jazz fan,” particularly of Benny Goodman.

“He had some reservations about modern jazz. I think if he had to disappear to a desert island, it’d be a lot of swing records he’d take, the music of his childhood: Count Basie, Duke Ellington, Harry James.”

Frewin is quoted in this Atlantic piece about a film Kubrick almost made but didn’t: an exploration of jazz in Europe under the Third Reich. The project began when Kubrick encountered a book in 1985, Swing Under the Nazis, written by another jazz enthusiast, Mike Zwerin, who left music for journalism and spent years collecting stories of jazz preservationists in Germany and formerly occupied Europe. One of those stories—of Nazi officer Dietrich Schulz-Koehn—struck Kubrick as Strangelove-ian and noir-ish. Schulz-Koehn published an illegal underground newsletter reporting back from various jazz scenes in Europe under the pen name, “Dr. Jazz,” the title Kubrick chose for the film project. As Frewin claims:

“Stanley thought there was a kind of noir side to this material…. Perhaps an approach like Dr. Mabuse would have suited the story. Stanley said, ‘If only he were alive, we could have found a role for Peter Lorre.’”

Zwerin’s book—and presumably Kubrick’s ideas for a fictionalized take—traced clandestine connections between Nazi Germany, Paris, and the United States, between black and Jewish musicians and Nazi music-lovers. We’ll have to imagine the odd angles and warped perspectives Kubrick would have found in those stories; his fascination with Nazis led him to drop Dr. Jazz for a different project, Aryan Papers, another unmade film with its own intriguing backstory.

Warm Bodies Official Trailer

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The Art Of Movie Posters


A good movie poster can spell the difference between a block buster and a bomb. Because lets admit it, while you’re standing in line debating what to see, if it’s got a good poster, even if you’ve never head of the film, you’ll go see it. And with that knee jerk reaction, even the best film can get pulled if the opening box office is weak, and that can easily be the fault of bad poster art.

Here are, I feel, some of the best posters both foreign and domestic. Some are iconic, some you may never have seen before, some are new, some are very old. Some of the movies are classics, some clunkers. But wonderful posters they are.